Do it again, do it right – Around the country with Renoveringsraseriet by authors Gustav Bergström and Alfred Skogberg.

Over the past decades, we have seen container after container filled with our common building heritage. Beautiful 1950s kitchens are worn out and replaced by mass-produced ones, mouth-blown window glass ends up in landfills, and cheap, unmaintainable materials replace old and solid ones.

Since its inception in 2020, Renovation Fury has criticized careless renovations on their popular Facebook and Instagram accounts of the same name.

In this book, we follow the founders, Gustav Bergström and Alfred Skogberg, on a journey to twelve Swedish cities; from Kiruna in the north to Sölvesborg in the south. They talk to architects, urban planners and experts and point out both good examples and pure disasters.

Do it again, do it right is both a portrait of the times and a cry for help. Caring and preserving is not just about nostalgia, it’s a must if we want to achieve our climate goals. It’s high time we started to see the value of craftsmanship and quality, and realize that new is not always better!

The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

Building conservation and reuse

How did a dilapidated barn, an abandoned croft, a crumbling manor house, an uninhabitable military barracks and a smelly city apartment get a new lease of life and a new soul? Where did they start? How did they know where to look? And what did they skip?

About the author: Göran Gudmundsson’s new major book is a goldmine for anyone who loves old houses with tradition and flair. Here he tells the story of five comprehensive renovation projects with widely differing conditions. With great expertise, he describes the whole process – before, during and after – and shows in detail how to find the traces of the old, look for renovation materials, color and wallpaper. And not least, how to deal with the various options available. How should you think about original colors and old building materials – if you are also going to live in the house? Is it right or wrong?

“Many people think that building conservation is not for them. I want to change that. I want to show that EVERYONE – not just owners of old houses but also those who have an older apartment, who want to convert an abandoned farmhouse into a holiday home or are just generally interested in the environment and recycling – can find inspiration in the old way of building and decorating. Because if you choose to build new with old methods and used materials, you also get the soul in the bargain.”

Historic oil paints in architecture and restoration is a thorough presentation of the composition of the linseed oil paints used in Swedish building painting from the 18th century onwards.

It provides a clear but multifaceted picture of how recipes have varied over different periods and how they have been adapted to different substrates.