Houses made of slag – many have never seen them, others stand in awe of the slag bricks that shimmer in blue, green, gray and even change color with the light. Intriguing structures, tiny lumps of iron, charcoal striations – what can’t you find when you take a closer look at the building material? What is it, many people ask today. When were the houses built? Why was cinder block made?

Slagstone is our first artificial building stone, used in ore fields as an alternative to building timber. The forest was needed for the production of charcoal, the fuel for smelting ore and the extraction of copper and iron. The metals were exported, bringing income to Sweden and raising people’s standard of living. Slag was a by-product of metal production. The metals have been sold around the world, the workplaces are closed down and gone – but the slag remains and tells us – about ores and technological development, about heavy manual labor and skilled craftsmanship. No two cinder blocks are the same. Never again can one be made.

DESCRIPTION The book aims to raise awareness of the buildings. The oldest ones date from the 18th century, the youngest from the early 20th century. They are churches or cellars and everything in between. The pictures aim to show how amazing the buildings are and the text provides information about their background, construction and care. The hope is that people will be inspired to take pride in the slag houses and care for these unique buildings, made from a material that is irreplaceable today.

TIP Don’t forget to take a look at our beautiful Bagarstuga in Gysinge, which is built of cinder block.

The book provides an illustrative picture of the standard and style development of kitchens and bathrooms in Sweden’s apartment buildings and detached houses. The design and equipment of kitchens and bathrooms follow the spirit of the times through the decades, both technically and functionally. At the same time, history bears clear traces of how the view of housework and life in the home has changed over time.

The story begins in the 1880s, when many cities are growing rapidly in the wake of industrialization. There is a housing shortage and economic conditions are tight. Homes are heated by tiled stoves or fireplaces, food is cooked on wood stoves and there are dry toilets in the yard. 120 years later, in 2000, when the story ends, high standards in kitchens and bathrooms are a matter of course. New trends follow one another and many kitchens and bathrooms are torn out and rebuilt, long before it is technically necessary.

Increased knowledge of period interiors is a valuable basis for conservation, renovation and remodeling. Inspiration can be drawn from the floor plans, kitchen layouts and furnishings of different periods.

Cecilia Björk architect SAR/MSA and Laila Reppen architect SAR/MSA are authors and illustrators of books such as Så byggdes husen 1880-2000, Så byggdes staden, Så byggdes villan and Tidstypiskt. Gustav Bergström, “Rävjägaren”, is a civil engineer as well as a writer and opinion leader in architecture and building conservation.

The book is nominated for Book of the Year 2020.

The tiled stove in Sweden – part two in the series Perspectives from the Engelsberg World Heritage Site.

Until the beginning of the 20th century, the tiled stove remained by far the most important source of heat in Swedish homes. Both the technology and the aesthetics were refined, even though the same basic principle is still used today in tiled stove installations. Today, the tiled stove is an important example of the Enlightenment’s work with technology, science and craftsmanship.

In 1767, the architect and superintendent Carl Johan Cronstedt presented a memorial entitled “Beskrifning på Ny Inrättning af Kakelugnar til Weds Besparing för Rikets råd”. It described a revolutionary construction that would change Swedish architecture and housekeeping for the next hundred and fifty years: the modern tiled stove.

The anthology is part of the series Perspectives from the Engelsberg Mill World Heritage Site. Previously published titles in the series are Tapeter genom tiderna. Future titles will also include Gardens during the age of the mills.

The editors-in-chief are Kurt Almqvist and Svante Helmbaek Tirén.

Historic oil paints in architecture and restoration is a thorough presentation of the composition of the linseed oil paints used in Swedish building painting from the 18th century onwards.

It provides a clear but multifaceted picture of how recipes have varied over different periods and how they have been adapted to different substrates.