Wallpaper through the ages – Perspectives from the Engelsberg Mill World Heritage Site.

Wallpaper has been one of our most important wall decorations for centuries and in various forms. Attitudes towards wallpaper have changed over time, especially in recent decades, but today there is a strong and growing interest in wallpaper and the historic preservation of buildings.

This book, which is the first stand-alone volume in a series on the Engelsberg Mill World Heritage Site, contributes to a better understanding of the history of wallpaper. Through the rich array of illustrations, both historical and modern, experts in several subjects share their in-depth knowledge of wallpaper, both as a craft and as an expression of different decorative ideals.

130 illustrations. Edition: French binding with gold foil and printed cover, wire-bound. 24 x 31 cm. 200 pages.

Authors: Erika Åberg, Lars Sjöberg, Stina Olinder Haubo, Ursula Sjöberg, Mats Qwarfordt, Martin Olin, Sara Lundström.

Editors-in-chief: Svante Holmbaek Tirén, Kurt Almqvist.

Design: Patric Leo.

The tiled stove in Sweden – part two in the series Perspectives from the Engelsberg World Heritage Site.

Until the beginning of the 20th century, the tiled stove remained by far the most important source of heat in Swedish homes. Both the technology and the aesthetics were refined, even though the same basic principle is still used today in tiled stove installations. Today, the tiled stove is an important example of the Enlightenment’s work with technology, science and craftsmanship.

In 1767, the architect and superintendent Carl Johan Cronstedt presented a memorial entitled “Beskrifning på Ny Inrättning af Kakelugnar til Weds Besparing för Rikets råd”. It described a revolutionary construction that would change Swedish architecture and housekeeping for the next hundred and fifty years: the modern tiled stove.

The anthology is part of the series Perspectives from the Engelsberg Mill World Heritage Site. Previously published titles in the series are Tapeter genom tiderna. Future titles will also include Gardens during the age of the mills.

The editors-in-chief are Kurt Almqvist and Svante Helmbaek Tirén.

Stora boken om byggnadsvård is the bible for anyone who longs for an old house. Göran Gudmundsson, founder of the Gysinge Center for Building Conservation, writes knowledgeably and passionately about renovation inside and out, in the city and in the country. Here you get answers to everything you need to know about old houses, from foundation to chimney. And help you think. Both in terms of maintenance and choice of renovation materials, as well as how to solve requirements for functioning kitchens, bathrooms and heating, without losing the genuine feeling. Knowledge of building historical style ideals, and why our old houses look the way they do, is mixed with recipes for mud paint and linseed oil paint, tips on how to paint stencils, print wallpaper borders, repair tiles, soap scrub floors and renovate windows – a lot of concrete advice for those who want to try it themselves.

A practical book about tradition, comfort, quality and reuse for those who want to create a home with soul! The book can be seen as a continuation of Göran Gudmundsson’s popular book series “Byggnadsvård i praktiken”.

Building conservation and reuse

How did a dilapidated barn, an abandoned croft, a crumbling manor house, an uninhabitable military barracks and a smelly city apartment get a new lease of life and a new soul? Where did they start? How did they know where to look? And what did they skip?

About the author: Göran Gudmundsson’s new major book is a goldmine for anyone who loves old houses with tradition and flair. Here he tells the story of five comprehensive renovation projects with widely differing conditions. With great expertise, he describes the whole process – before, during and after – and shows in detail how to find the traces of the old, look for renovation materials, color and wallpaper. And not least, how to deal with the various options available. How should you think about original colors and old building materials – if you are also going to live in the house? Is it right or wrong?

“Many people think that building conservation is not for them. I want to change that. I want to show that EVERYONE – not just owners of old houses but also those who have an older apartment, who want to convert an abandoned farmhouse into a holiday home or are just generally interested in the environment and recycling – can find inspiration in the old way of building and decorating. Because if you choose to build new with old methods and used materials, you also get the soul in the bargain.”