Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

The book provides an illustrative picture of the standard and style development of kitchens and bathrooms in Sweden’s apartment buildings and detached houses. The design and equipment of kitchens and bathrooms follow the spirit of the times through the decades, both technically and functionally. At the same time, history bears clear traces of how the view of housework and life in the home has changed over time.

The story begins in the 1880s, when many cities are growing rapidly in the wake of industrialization. There is a housing shortage and economic conditions are tight. Homes are heated by tiled stoves or fireplaces, food is cooked on wood stoves and there are dry toilets in the yard. 120 years later, in 2000, when the story ends, high standards in kitchens and bathrooms are a matter of course. New trends follow one another and many kitchens and bathrooms are torn out and rebuilt, long before it is technically necessary.

Increased knowledge of period interiors is a valuable basis for conservation, renovation and remodeling. Inspiration can be drawn from the floor plans, kitchen layouts and furnishings of different periods.

Cecilia Björk architect SAR/MSA and Laila Reppen architect SAR/MSA are authors and illustrators of books such as Så byggdes husen 1880-2000, Så byggdes staden, Så byggdes villan and Tidstypiskt. Gustav Bergström, “Rävjägaren”, is a civil engineer as well as a writer and opinion leader in architecture and building conservation.

The book is nominated for Book of the Year 2020.

Building conservation and reuse

How did a dilapidated barn, an abandoned croft, a crumbling manor house, an uninhabitable military barracks and a smelly city apartment get a new lease of life and a new soul? Where did they start? How did they know where to look? And what did they skip?

About the author: Göran Gudmundsson’s new major book is a goldmine for anyone who loves old houses with tradition and flair. Here he tells the story of five comprehensive renovation projects with widely differing conditions. With great expertise, he describes the whole process – before, during and after – and shows in detail how to find the traces of the old, look for renovation materials, color and wallpaper. And not least, how to deal with the various options available. How should you think about original colors and old building materials – if you are also going to live in the house? Is it right or wrong?

“Many people think that building conservation is not for them. I want to change that. I want to show that EVERYONE – not just owners of old houses but also those who have an older apartment, who want to convert an abandoned farmhouse into a holiday home or are just generally interested in the environment and recycling – can find inspiration in the old way of building and decorating. Because if you choose to build new with old methods and used materials, you also get the soul in the bargain.”

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.