Windows and doors

“Painted Floors” is the fifth book in the “Building Care in Practice” series.

It covers all kinds of wooden floors, both indoor and outdoor. From barn floors to checkered 18th century floors and solid colored floors from the 19th and 20th centuries.

The last floor among the book’s examples was painted just a few years ago. A living tradition, then! The book is practically organized and above all intended to serve as a solid instruction for those who want to paint themselves.

Richly illustrated with scale models, color recipes and other tips. The visual material consists of photos, drawings and watercolors.

The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

Discover, preserve, recreate. A garden is in a state of constant change. Caring for an old garden is therefore not about freezing a state. Instead, it is about getting to know the garden in order to best preserve its various elements for the future.

In his role as a garden antiquarian, André Strömqvist has extensive experience of older environments and, as a gardener, the necessary practical knowledge.

He describes how we can find clues, interpret what we see and set a level of ambition that works. He guides us through the different parts of the garden in the form of flower beds, hedges, stone paths and fruit trees. He describes how we can go about caring for, restoring and recreating the various parts, and lets history in the form of pioneers of older times, methods and cultural varieties arouse curiosity and inspiration.

Photo: André Strömqvist

Houses made of slag – many have never seen them, others stand in awe of the slag bricks that shimmer in blue, green, gray and even change color with the light. Intriguing structures, tiny lumps of iron, charcoal striations – what can’t you find when you take a closer look at the building material? What is it, many people ask today. When were the houses built? Why was cinder block made?

Slagstone is our first artificial building stone, used in ore fields as an alternative to building timber. The forest was needed for the production of charcoal, the fuel for smelting ore and the extraction of copper and iron. The metals were exported, bringing income to Sweden and raising people’s standard of living. Slag was a by-product of metal production. The metals have been sold around the world, the workplaces are closed down and gone – but the slag remains and tells us – about ores and technological development, about heavy manual labor and skilled craftsmanship. No two cinder blocks are the same. Never again can one be made.

DESCRIPTION The book aims to raise awareness of the buildings. The oldest ones date from the 18th century, the youngest from the early 20th century. They are churches or cellars and everything in between. The pictures aim to show how amazing the buildings are and the text provides information about their background, construction and care. The hope is that people will be inspired to take pride in the slag houses and care for these unique buildings, made from a material that is irreplaceable today.

TIP Don’t forget to take a look at our beautiful Bagarstuga in Gysinge, which is built of cinder block.