Many of us love old houses, the atmosphere they give you, the secrets and questions they hide and pose: What did the house look like originally? Has it always been here? Who has lived here before me?

Sweden has a unique treasure trove of archived material that can tell us so much about our houses and their inhabitants throughout history. This is by no means limited to castles and manor houses. There is also a lot to tell about our country houses, detached houses, city apartments and suburban villas. You just need to know where to look.

In this book, architectural historian Erika Åberg wants to take us by the hand and tell us how we can find the history of our houses, and how we can best utilize different buildings and their annual rings. She does this by telling inspiring stories, guiding us to different archives and showing us how to best interpret a building, exterior and interior.

There are plenty of in-depth examples from the TV program of the same name, but it’s a book that stands on its own, with solid advice on building styles through the ages, building conservation and restoration tips.

The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

The Colors of the Garden City explains what is special about the centuries-old cultural environments of Bromma and other garden cities in Sweden. What is it that makes the garden city such an attractive form of living even for modern people? What gives character to the urban plan and to buildings and gardens from eras with different stylistic ideals? Learn the differences between the National Romanticism of the 1910s, the Neoclassicism of the 1920s and the Functionalism of the 1930s.

The authors began their mapping of garden cities in Sweden as early as the 1980s, by producing material with color schemes and character descriptions for typical houses of the time. Parts of the material are now in a permanent exhibition in Måleributiken in Alvik and have been shown at the City Museum 2013-2015.

The purpose of the book is to draw attention to the unique cultural values of the garden city for all of us and at the same time inspire you as a homeowner to learn more about architecture and coloring. A cultural environment needs to be protected and your house needs continuous care and attention. When repairing and renovating your house – make sure you do not damage the house due to ignorance.

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.