Many of us love old houses, the atmosphere they give you, the secrets and questions they hide and pose: What did the house look like originally? Has it always been here? Who has lived here before me?

Sweden has a unique treasure trove of archived material that can tell us so much about our houses and their inhabitants throughout history. This is by no means limited to castles and manor houses. There is also a lot to tell about our country houses, detached houses, city apartments and suburban villas. You just need to know where to look.

In this book, architectural historian Erika Åberg wants to take us by the hand and tell us how we can find the history of our houses, and how we can best utilize different buildings and their annual rings. She does this by telling inspiring stories, guiding us to different archives and showing us how to best interpret a building, exterior and interior.

There are plenty of in-depth examples from the TV program of the same name, but it’s a book that stands on its own, with solid advice on building styles through the ages, building conservation and restoration tips.

The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

Houses made of slag – many have never seen them, others stand in awe of the slag bricks that shimmer in blue, green, gray and even change color with the light. Intriguing structures, tiny lumps of iron, charcoal striations – what can’t you find when you take a closer look at the building material? What is it, many people ask today. When were the houses built? Why was cinder block made?

Slagstone is our first artificial building stone, used in ore fields as an alternative to building timber. The forest was needed for the production of charcoal, the fuel for smelting ore and the extraction of copper and iron. The metals were exported, bringing income to Sweden and raising people’s standard of living. Slag was a by-product of metal production. The metals have been sold around the world, the workplaces are closed down and gone – but the slag remains and tells us – about ores and technological development, about heavy manual labor and skilled craftsmanship. No two cinder blocks are the same. Never again can one be made.

DESCRIPTION The book aims to raise awareness of the buildings. The oldest ones date from the 18th century, the youngest from the early 20th century. They are churches or cellars and everything in between. The pictures aim to show how amazing the buildings are and the text provides information about their background, construction and care. The hope is that people will be inspired to take pride in the slag houses and care for these unique buildings, made from a material that is irreplaceable today.

TIP Don’t forget to take a look at our beautiful Bagarstuga in Gysinge, which is built of cinder block.

Wallpaper through the ages – Perspectives from the Engelsberg Mill World Heritage Site.

Wallpaper has been one of our most important wall decorations for centuries and in various forms. Attitudes towards wallpaper have changed over time, especially in recent decades, but today there is a strong and growing interest in wallpaper and the historic preservation of buildings.

This book, which is the first stand-alone volume in a series on the Engelsberg Mill World Heritage Site, contributes to a better understanding of the history of wallpaper. Through the rich array of illustrations, both historical and modern, experts in several subjects share their in-depth knowledge of wallpaper, both as a craft and as an expression of different decorative ideals.

130 illustrations. Edition: French binding with gold foil and printed cover, wire-bound. 24 x 31 cm. 200 pages.

Authors: Erika Åberg, Lars Sjöberg, Stina Olinder Haubo, Ursula Sjöberg, Mats Qwarfordt, Martin Olin, Sara Lundström.

Editors-in-chief: Svante Holmbaek Tirén, Kurt Almqvist.

Design: Patric Leo.