Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

Discover, preserve, recreate. A garden is in a state of constant change. Caring for an old garden is therefore not about freezing a state. Instead, it is about getting to know the garden in order to best preserve its various elements for the future.

In his role as a garden antiquarian, André Strömqvist has extensive experience of older environments and, as a gardener, the necessary practical knowledge.

He describes how we can find clues, interpret what we see and set a level of ambition that works. He guides us through the different parts of the garden in the form of flower beds, hedges, stone paths and fruit trees. He describes how we can go about caring for, restoring and recreating the various parts, and lets history in the form of pioneers of older times, methods and cultural varieties arouse curiosity and inspiration.

Photo: André Strömqvist

Houses made of slag – many have never seen them, others stand in awe of the slag bricks that shimmer in blue, green, gray and even change color with the light. Intriguing structures, tiny lumps of iron, charcoal striations – what can’t you find when you take a closer look at the building material? What is it, many people ask today. When were the houses built? Why was cinder block made?

Slagstone is our first artificial building stone, used in ore fields as an alternative to building timber. The forest was needed for the production of charcoal, the fuel for smelting ore and the extraction of copper and iron. The metals were exported, bringing income to Sweden and raising people’s standard of living. Slag was a by-product of metal production. The metals have been sold around the world, the workplaces are closed down and gone – but the slag remains and tells us – about ores and technological development, about heavy manual labor and skilled craftsmanship. No two cinder blocks are the same. Never again can one be made.

DESCRIPTION The book aims to raise awareness of the buildings. The oldest ones date from the 18th century, the youngest from the early 20th century. They are churches or cellars and everything in between. The pictures aim to show how amazing the buildings are and the text provides information about their background, construction and care. The hope is that people will be inspired to take pride in the slag houses and care for these unique buildings, made from a material that is irreplaceable today.

TIP Don’t forget to take a look at our beautiful Bagarstuga in Gysinge, which is built of cinder block.

The Colors of the Garden City explains what is special about the centuries-old cultural environments of Bromma and other garden cities in Sweden. What is it that makes the garden city such an attractive form of living even for modern people? What gives character to the urban plan and to buildings and gardens from eras with different stylistic ideals? Learn the differences between the National Romanticism of the 1910s, the Neoclassicism of the 1920s and the Functionalism of the 1930s.

The authors began their mapping of garden cities in Sweden as early as the 1980s, by producing material with color schemes and character descriptions for typical houses of the time. Parts of the material are now in a permanent exhibition in Måleributiken in Alvik and have been shown at the City Museum 2013-2015.

The purpose of the book is to draw attention to the unique cultural values of the garden city for all of us and at the same time inspire you as a homeowner to learn more about architecture and coloring. A cultural environment needs to be protected and your house needs continuous care and attention. When repairing and renovating your house – make sure you do not damage the house due to ignorance.