Many of us love old houses, the atmosphere they give you, the secrets and questions they hide and pose: What did the house look like originally? Has it always been here? Who has lived here before me?

Sweden has a unique treasure trove of archived material that can tell us so much about our houses and their inhabitants throughout history. This is by no means limited to castles and manor houses. There is also a lot to tell about our country houses, detached houses, city apartments and suburban villas. You just need to know where to look.

In this book, architectural historian Erika Åberg wants to take us by the hand and tell us how we can find the history of our houses, and how we can best utilize different buildings and their annual rings. She does this by telling inspiring stories, guiding us to different archives and showing us how to best interpret a building, exterior and interior.

There are plenty of in-depth examples from the TV program of the same name, but it’s a book that stands on its own, with solid advice on building styles through the ages, building conservation and restoration tips.

Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.

Historic oil paints in architecture and restoration is a thorough presentation of the composition of the linseed oil paints used in Swedish building painting from the 18th century onwards.

It provides a clear but multifaceted picture of how recipes have varied over different periods and how they have been adapted to different substrates.