The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

“Interior Renovation” is the fourth book in the series – Building Care in Practice. The book is about the houses inside, why they look the way they do, about the tradition behind it, about the craftsmanship and last but not least about how to renovate so that these qualities do not disappear.

It deals with carpentry profiles, fittings, floors, ceilings and walls, stairs, kitchens and kitchen fittings, sanitary facilities, electricity and lighting in a way that shows that the old is an asset rather than an obstacle when living in the house.

The book, which focuses on houses from the 18th to the 20th century, also shows appropriate compromises, as the old inevitably clashes with the modern.

Building conservation and reuse

How did a dilapidated barn, an abandoned croft, a crumbling manor house, an uninhabitable military barracks and a smelly city apartment get a new lease of life and a new soul? Where did they start? How did they know where to look? And what did they skip?

About the author: Göran Gudmundsson’s new major book is a goldmine for anyone who loves old houses with tradition and flair. Here he tells the story of five comprehensive renovation projects with widely differing conditions. With great expertise, he describes the whole process – before, during and after – and shows in detail how to find the traces of the old, look for renovation materials, color and wallpaper. And not least, how to deal with the various options available. How should you think about original colors and old building materials – if you are also going to live in the house? Is it right or wrong?

“Many people think that building conservation is not for them. I want to change that. I want to show that EVERYONE – not just owners of old houses but also those who have an older apartment, who want to convert an abandoned farmhouse into a holiday home or are just generally interested in the environment and recycling – can find inspiration in the old way of building and decorating. Because if you choose to build new with old methods and used materials, you also get the soul in the bargain.”

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.