Wallpaper sample 50 cm.

The beautifully undulating lines of Art Nouveau meet soft tones of green and cream. Around the turn of the 20th century, wallpaper patterns like these became extremely popular thanks to their ability to create bright and cozy rooms.

Inspiration was drawn from the new idioms developed in Paris, Vienna and Berlin, among other places. The motif of foliage on elegantly curved stems is very characteristic of Art Nouveau.

The wallpaper was found in one of the rooms in the workers’ barracks in Gysinge and has now been reprinted.

Period wallpaper from the late 19th century in a muted blue tone with a beige background. The wallpaper is a recreation from an old wallpaper fragment of unknown origin. The simple but detailed checkerboard pattern fits both in older houses and in a more modern environment. The wallpaper is also available in a mild green color with a beige background.

The wallpaper has a straight pattern fit and is edge-cut. Printed using the old glue dye technique on unprimed paper. An important step for us in the production of a new wallpaper. However, unpasted wallpaper is slightly more fragile when wallpapering.

The environmental image shows the blue wallpaper and door painted in a self-mixed color of blue and gray linseed oil paints.

When, in connection with the restoration of one of the attics at Wirums Säteri in Småland, we found the first flake of the wallpaper “Förmaket”, we thought we had found a real 18th century wallpaper. The diagonal checkered pattern with a small flower sprig in each square breathes very typical rococo. The flaming gray glue paint base also gives an unmistakable feeling of hand printing. Everything in our 18th century theory was right – until we found flag number two and saw that the pattern was printed on cellulose paper and not on paper made of cloth rag, as it should have been if it was genuine 18th century. The wallpaper also turned out to be made on a roll, not on glued sheets of paper, as in the 18th century. Today we know better. “Förmaket” is a wallpaper from around 1860, but of a low-key, elegant diagonal-patterned type that became popular already 100 years earlier – and is still one of the wallpaper printers’ favorite patterns. What distinguishes Gysinge’s wallpaper from other reprints is the uneven, handmade impression and the shifting ground color. Early machine printing art, one could define the wallpaper as.