Do it again, do it right – Around the country with Renoveringsraseriet by authors Gustav Bergström and Alfred Skogberg.

Over the past decades, we have seen container after container filled with our common building heritage. Beautiful 1950s kitchens are worn out and replaced by mass-produced ones, mouth-blown window glass ends up in landfills, and cheap, unmaintainable materials replace old and solid ones.

Since its inception in 2020, Renovation Fury has criticized careless renovations on their popular Facebook and Instagram accounts of the same name.

In this book, we follow the founders, Gustav Bergström and Alfred Skogberg, on a journey to twelve Swedish cities; from Kiruna in the north to Sölvesborg in the south. They talk to architects, urban planners and experts and point out both good examples and pure disasters.

Do it again, do it right is both a portrait of the times and a cry for help. Caring and preserving is not just about nostalgia, it’s a must if we want to achieve our climate goals. It’s high time we started to see the value of craftsmanship and quality, and realize that new is not always better!

The Painting Workshop works on renovating old paintings, repainting using old techniques and developing new products inspired by the traditional painting of the Hälsingland farms. The Painting Workshop holds lectures and workshops on painting at the World Heritage Farms in Hälsingland.

Anna-Carin Åsbrink has been working with old painting techniques for over 40 years and shares here the many skills in stencil painting she has accumulated over the years.

The 24-page booklet describes stenciling on walls, borders and blinds. Includes tips on tools, techniques and color mixing of egg oil tempera. It also describes paintings from Hälsingland, which at the same time is universal for all stencil painting.

Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

Houses made of slag – many have never seen them, others stand in awe of the slag bricks that shimmer in blue, green, gray and even change color with the light. Intriguing structures, tiny lumps of iron, charcoal striations – what can’t you find when you take a closer look at the building material? What is it, many people ask today. When were the houses built? Why was cinder block made?

Slagstone is our first artificial building stone, used in ore fields as an alternative to building timber. The forest was needed for the production of charcoal, the fuel for smelting ore and the extraction of copper and iron. The metals were exported, bringing income to Sweden and raising people’s standard of living. Slag was a by-product of metal production. The metals have been sold around the world, the workplaces are closed down and gone – but the slag remains and tells us – about ores and technological development, about heavy manual labor and skilled craftsmanship. No two cinder blocks are the same. Never again can one be made.

DESCRIPTION The book aims to raise awareness of the buildings. The oldest ones date from the 18th century, the youngest from the early 20th century. They are churches or cellars and everything in between. The pictures aim to show how amazing the buildings are and the text provides information about their background, construction and care. The hope is that people will be inspired to take pride in the slag houses and care for these unique buildings, made from a material that is irreplaceable today.

TIP Don’t forget to take a look at our beautiful Bagarstuga in Gysinge, which is built of cinder block.