Ready-baked paint in a dark pearl gray-green color, common already in the 18th century. Suitable as a carpentry paint outdoors, for windows and doors on older wooden houses and for carpentry indoors, from the 18th century onwards.

Nearest NCS S 3005-G80Y

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

Jugendbeige is a color that was common in interiors from the 1890s to the 1930s. The color has a tendency towards ivory and can therefore easily be perceived as “impure white”, which is also the intention. In early 20th century interior painting, Jugendbeige is often combined with Jugendgrönt on panels, and the spirit of the era is further enhanced if Jugendbeige joinery paint is used in living rooms in combination with dark-bottomed paper wallpapers that are true to the period.

Nearest NCS S 1005-Y50R

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

The use of red ochre has deep roots in our Nordic cultural heritage from the Viking Age decorative elements, which later inspired the accent color of national romanticism in dragon ornamentation and carpentry. Light red color with a tendency towards brick color. A very common color, perhaps the most common in Swedish building tradition.

Nearest NCS S 4550-Y70R

At last, linseed oil paint with real earth color pigments!

It is the linseed oil paint that has preserved and embellished Sweden’s buildings for centuries. Linseed oil paint was a matter of course, both indoors and outdoors until the 1960s. If you want to renovate in a sustainable, natural and beautiful way, then Linseed Oil Paint is No 1.

We can now proudly present three new colors of linseed oil paint made from the finest earth color pigment imaginable. Green Umbra from Verona, Red Ochre from Roussillon and French Golden Ochre. –

A linseed oil paint pigmented with genuine earth color pigments gives an extra dimension to the painted surface. Made from clay soils that have been washed and bleached by nature itself over thousands of years, they are produced in the same way today as when oil paint was introduced to our northern latitudes centuries ago. Natural clay pigments such as golden ochre and red ochre are muted and vibrant at the same time, giving the natural color tone a perfect balance for old and new houses.

While developing these new colors, we have also improved our linseed oil paint. In collaboration with Kerstin Lyckman, Sweden’s only doctor of historical oil paints, we have developed our paint, which now has better coverage and longevity and is also more historically accurate. Back to basics!