Porcelain lamp holder or foot lamp holder in the model that constituted the first indoor electric lighting in many Swedish homes. See for example the home of Carl Larsson. The porcelain lamp holders were usually placed in the middle of the ceiling in the room or on the wall above the door.

This model can be connected in parallel for lighting in basements and attics, for example. Intended for indoor ceiling and wall in dry areas.

Porcelain. Straight model. Height 56mm, diameter 65mm. 100W. E27. IP class 20. S-marked.

Belongs to the Beehive ceiling lamp. White mouth-blown opal glass.

Classic ceiling lamp in Art Deco style. Existed in Sweden and Europe during the 1920-1930s. The glass cup has an undulating shape and is reminiscent of a beehive, hence its name.

The glass is mouth-blown opal glass, formerly called milk glass. Commonly available in white color. Opal glass diffuses light softly, effectively and evenly. The surface of our glass is glossy, but can also be satin or matte.

Belongs to the Beehive ceiling lamp. White mouth-blown opal glass.

Classic ceiling lamp in Art Deco style. Existed in Sweden and Europe during the 1920-1930s. The glass cup has an undulating shape and is reminiscent of a beehive, hence its name. The glass dome is 30 cm in diameter, about 28 cm high.

The glass is mouth-blown opal glass, formerly called milk glass. Commonly available in white color. Opal glass diffuses light softly, effectively and evenly. The surface of our glass is glossy, but can also be satin or matte.

Classic ceiling lamp in Funkis style. Common in Europe during the 1930-1950s. The pendant is 20, untreated brass. The shade itself is slightly cone-shaped with a leaf pattern at the bottom, hence its name “Flowers”. The glass is of mouth-blown opal glass.

Opal glass – usually a white glass, which used to be called milk glass. Opal glass has the ability to diffuse light softly, efficiently and evenly. The surface of our glass is glossy, but opal glass can also be satin or matt. In art, opal glass has ancient origins but began to be produced in Venice in the 15th century.

Brass – or poor man’s gold as it used to be called – is a non-magnetic copper alloy, where copper is alloyed with zinc. The higher the copper content, the yellower the tone. Untreated brass oxidizes over time and gives a beautiful matte yellow-brown tone with patina. Untreated brass was completely dominant on fittings and details before the turn of the century 1900.

Ceiling lamp total length 46 cm. Lamp part in untreated brass length 20 cm. Cup in opal glass. Cup diameter 31 cm, height 26 cm.