Classic golden yellow color that has been used unbroken for almost 300 years as a door and window color outdoors. It has the same warmth as oak. It has also been used to create the illusion of oak. It is also commonly mixed with white to give a manor yellow color (30 – 10% yellow ochre).

Our Gulockra linseed oil paint was replaced in 2017 with Gulockra natural linseed oil paint, which is made entirely from the finest earth color pigment imaginable, golden ochre from France. A linseed oil paint pigmented with genuine earth color pigments gives an extra dimension to the painted surface.

The pigment is made from clay soils that have been washed and bleached by nature itself over thousands of years and is produced in the same way today as it was hundreds of years ago. Natural clay pigments such as golden ochre and red ochre are both muted and vibrant, giving natural color tones.

If you want the same shade as previous breaks of our previous color gulockra, you should break according to the table below when breaking with Gulockra natur.

60% Gulockra = 80% Gulockra natural

30% Gulockra = 60% Gulockra natural

15% Gulockra = 30% Gulockra natural

Classic green. Common color of wrought iron before the middle of the 19th century. Then came the fashion for black forging. Green is also a common window and door color, both in Sweden and on the continent throughout the 18th, 19th and 20th centuries.

Sample jars with pre-broken percentages 1%, 7%, 15%, 30%, 60%

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

Broken warm white. White off-white with 2% Green Umbra.

Nearest NCS S 1002-Y

100% it is dark gray-brown, broken with white it is warm gray. It is available in the following percentages: 2%, 7%, 15%, 30%, 60%.

When you want to paint knots and linings on wooden houses from the 18th to the 20th century, it is good to know that there was a different amount of refraction of the white color in different eras.

The most common was 30% green umber in the 18th century, giving a distinct limestone gray hue. During the 19th century, the fashion lightens and the “white” color often ended up around 15% green umber.

By the turn of the century, however, only light, soft white is the highest fashion, corresponding to 2% green umber.

Since the same colors and the same paint qualities were also painted indoors with roughly the same timetable, our ready-made paints are suitable for both indoors and outdoors. Indoors, this linseed oil paint was used on windows, carpentry, breast panels, doors and more.

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.

Light limestone gray color. White broken with 30% Green Umbra.

Nearest NCS S 3502-Y

100% it is dark gray-brown, broken with white it is warm gray. It is available in the following percentages: 2%, 7%, 15%, 30%, 60%.

When you want to paint knots and linings on wooden houses from the 18th to the 20th century, it is good to know that there was a different amount of refraction of the white color in different eras.

The most common was 30% green umber in the 18th century, giving a distinct limestone gray hue. During the 19th century, the fashion lightens and the “white” color often ended up around 15% green umber.

By the turn of the century, however, only light, soft white is the highest fashion, corresponding to 2% green umber.

Since the same colors and the same paint qualities were also painted indoors with roughly the same timetable, our ready-made paints are suitable for both indoors and outdoors. Indoors, this linseed oil paint was used on windows, carpentry, breast panels, doors and more.

ATTENTION! The color reproduction on the screen does not correspond 100% to reality.