Building maintenance

Swedish Grace is a term coined by contemporaries to denote neoclassical Swedish design from the 1910s and 1920s.

The most representative buildings from this era, such as the Stockholm City Library by Gunnar Asplund, the Resurrection Chapel by Sigurd Lewerentz and the Stockholm Concert Hall by Ivar Tengbom, are all world-famous, and most of what was built during the period is among the most highly regarded architecture in Sweden.

In this anthology, specialists from Sweden as well as other countries discuss different perspectives on Swedish Grace and show aspects that are still relevant today.

Wallpaper through the ages – Perspectives from the Engelsberg Mill World Heritage Site.

Wallpaper has been one of our most important wall decorations for centuries and in various forms. Attitudes towards wallpaper have changed over time, especially in recent decades, but today there is a strong and growing interest in wallpaper and the historic preservation of buildings.

This book, which is the first stand-alone volume in a series on the Engelsberg Mill World Heritage Site, contributes to a better understanding of the history of wallpaper. Through the rich array of illustrations, both historical and modern, experts in several subjects share their in-depth knowledge of wallpaper, both as a craft and as an expression of different decorative ideals.

130 illustrations. Edition: French binding with gold foil and printed cover, wire-bound. 24 x 31 cm. 200 pages.

Authors: Erika Åberg, Lars Sjöberg, Stina Olinder Haubo, Ursula Sjöberg, Mats Qwarfordt, Martin Olin, Sara Lundström.

Editors-in-chief: Svante Holmbaek Tirén, Kurt Almqvist.

Design: Patric Leo.

Building conservation and reuse

How did a dilapidated barn, an abandoned croft, a crumbling manor house, an uninhabitable military barracks and a smelly city apartment get a new lease of life and a new soul? Where did they start? How did they know where to look? And what did they skip?

About the author: Göran Gudmundsson’s new major book is a goldmine for anyone who loves old houses with tradition and flair. Here he tells the story of five comprehensive renovation projects with widely differing conditions. With great expertise, he describes the whole process – before, during and after – and shows in detail how to find the traces of the old, look for renovation materials, color and wallpaper. And not least, how to deal with the various options available. How should you think about original colors and old building materials – if you are also going to live in the house? Is it right or wrong?

“Many people think that building conservation is not for them. I want to change that. I want to show that EVERYONE – not just owners of old houses but also those who have an older apartment, who want to convert an abandoned farmhouse into a holiday home or are just generally interested in the environment and recycling – can find inspiration in the old way of building and decorating. Because if you choose to build new with old methods and used materials, you also get the soul in the bargain.”

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.