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SKU: 1509

Single hook

Price range: 55 SEK through 60 SEK

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Quick facts

Andreas Skatter

Weight N/A
Yta

Brass, Nickel plated

Single hook in nickel-plated or untreated brass. Common during the period 1920 – 1965. Screw included.

Height 26mm, width 30mm.

Description

Single hook in nickel-plated or untreated brass. Common during the period 1920 – 1965. Screw included.

Andreas Skatter

Weight N/A
Yta

Brass, Nickel plated

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Select options This product has multiple variants. The options may be chosen on the product page

Price range: 165 SEK through 180 SEK

Select options This product has multiple variants. The options may be chosen on the product page

Price range: 185 SEK through 195 SEK

Select options This product has multiple variants. The options may be chosen on the product page

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Screw hook nickel-plated small

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Also available in brass. See related products.

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Towel unbleached

The traditional kitchen and toilet towel in “poor man’s suit” in classic white, blue, unbleached and red.

50% cotton, 50% linen of bleached quality with elements of bleached and unbleached yarn.

Shrinks about 7% on first wash. Machine wash recommended, preferably 90 degrees after heavy soiling, otherwise 40 or 60 degrees. Can be ironed or mangled. As towels, it is sufficient to hang them smooth after washing and then fold them. Stains are removed with linseed oil soap. Sold as towels in four different colors and as white napkins.

The towels from Gysinge have an interesting history. Until the 1980s, Gysinge was a nursing home run by the county council. To create employment for the 60 or so mentally ill people who stayed at the home, there was, among other things, a weaving room. Many of the inmates spent a long time in the weaving room, which gave them a more meaningful existence – and the county council a cash injection. At the home, real fabrics were woven, not therapy work in the modern, negative sense. For example, all the curtains, tablecloths and napkins were woven for the reopening of Gysinge Manor in the 1960s. This towel fabric is a so-called sieve weave (the pattern looks like a sieve – but only appears after washing!), woven to order for a guesthouse in Järvsö in the 60s. The weaving method is also called poor man’s cloth, a weaving method that produced a fabric that looks much more exclusive than it really is. The weaving method is very old and produces a highly absorbent and durable fabric, which has always been used for towels and tablecloths. The fabric is most beautiful if you mangle it, then the shiny linen threads in the weft are emphasized, against the duller warp of cotton. The quality only becomes more beautiful the more you wear the fabric.

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Towel white

The traditional kitchen and toilet towel in “poor man’s suit” in classic white or blue. The sturdy napkin for everyday and party.

This towel fabric is a so-called sieve weave (the pattern looks like a sieve – but only appears after washing!), woven to order for a guesthouse in Järvsö in the 60s.

The weaving method is also called poor man’s cloth, a weaving method that produced a fabric that looks much more exclusive than it really is.

The weaving method is very old and produces a highly absorbent and durable fabric, which has always been used for towels and tablecloths. The fabric is most beautiful if you mangle it, then the shiny linen threads in the weft are emphasized, against the duller warp of cotton. The quality only becomes more beautiful the more you wear the fabric.

One of the contradictions of the fabric is that as towels it gives a slightly old-fashioned robust character, while as a well-mangled tablecloth it gives an exclusive feeling of “Oh my, what’s this?”.

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Spinning anchor hook 8193 Nickel-plated

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Flowerpot

Hand-turned flowerpots and saucers of the traditional variety. Flowerpot production became an industry and mass production in Sweden around the turn of the century 1900. Before then, all pots were made by hand, as were the saucers. The profession was called pottery. Typical of handmade pots is that you can see the potter’s hands in the ware. The imprints from the hand-turning process create low ridges on the surface and show through on the outside. A hand-turned pot is therefore not as smooth as a machine pot, it is more personal and has more life and variety. A detail that also reveals the real craftsmanship is the soft, rounded rim at the top. It can certainly be made by machine, but it will never be as soft and individual as on a hand-turned pot.

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